The Frodo Franchise by Kristin Thompson
 
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September 25 : 2009

MGM’s woes probably won’t delay The Hobbit

Nikke Finke, a prominent entertainment reporter with her own website, has posted information concerning a Wednesday meeting between MGM and its bondholders. According to Finke’s sources, MGM cannot pay the interest on its debt and has asked the lenders to hold off on payments until February. If they refuse, MGM will most likely have to declare bankruptcy.

Finke presents a lot of facts and figures on this, but here’s the portion relevant to The Hobbit: “MGM said it needed $20M in short-term cash flow to cover overhead, and an additional $150 million to get through the end of year and continue funding its projects, and to start Peter Jackson’s Hobbit.”

Finke’s title includes the phrase, “Both ‘Hobbit’ and James Bond in Peril.” Just the sort of sensationalistic reporting fans don’t need. Yes, those two franchises are in peril as far as MGM is concerned. If it goes into bankruptcy and has to sell its most valuable assets, MGM probably wouldn’t be able to go on making films much longer. Its other series (e.g., Robocop) aren’t nearly as lucrative.

But that doesn’t mean that the production of The Hobbit is likely to be interrupted, let alone terminated. We don’t know what portion of the filming budget MGM is supposed to put up. It may be considerably less than Warner Bros.’s share. There is almost certainly a clause in the agreement between WB and MGM that dictates what would happen in the event of MGM being unable to pay its portion. It might be obligated to sell the distribution rights to The Hobbit to Warner Bros. Warner might even try to buy the ailing studio at a bargain price. I’ve got to believe that WB has covered all contingencies in relation to such a valuable property. It’s quite possible that WB executives would be quite happy to have MGM out of the way.

So far the lenders have not made their decision. They might accede to MGM’s request and suspend interest payments. A struggling studio is more valuable to them than a bankrupt one, and bankruptcy proceedings would delay any payments anyway.

We should also remember that no official announcements have been made. Finke’s story still has something of the status of rumor. Given her track record as a reporter and her many contacts in the film industry, however, it’s likely to be pretty accurate. Still, we should wait until more information comes out. And again, it’s MGM that has to worry about losing The Hobbit, not us.

My own guess would be that, if it came to a decision as to whether to sell off The Hobbit distribution rights or the James Bond series, MGM would sacrifice its Hobbit interests to save Bond. The Bond series has been running since the early 1960s and shows no signs of losing its public. Many feel that without the Bond franchise, MGM wouldn’t have much hope of surviving.

[Thanks to David Platt for alerting me to the Finke story.]

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

    Canadian flagbuy at best price

    UK flagbuy at best price

    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”