The Frodo Franchise by Kristin Thompson
 
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September 23 : 2009

reminding aspiring hobbit extras of the harsh realities

Everyone’s anxious for the Hobbit film to go into full-scale production. We haven’t heard officially that the script has been accepted, the budget calculated, and the project greenlit. Yet clearly there’s a sense that these things will be announced soon.

There’s another sort of anxiety felt by fans who want, many of them quite desperately, to go to New Zealand in the hopes of getting a job as an extra or as some sort of lowly employee during the production—anything that could help them be part of this vastly exciting endeavor. Some don’t necessarily think they could get such jobs, but they want to be able to get close enough to watch the filming.

I can tell that’s what’s going on because a lot of the pageloads on this blog—probably thousands since I posted them—are of the two entries I’ve written on these subjects: “Working on the Hobbit: Harsh realities for non-Kiwis” and “Getting near the Hobbit filming: More harsh realities.” Some Google searches that have brought people here over the past few days: “hobbit movie job,” “the hobbit film extras,” “the hobbit movie casting director,” “hobbit casting extras,” “extras for the hobbit,” and all possible combinations of such words. (Don’t worry, I can’t see visitors’ identities, just what links or searches they come from.)

In the first of those two entries, I talk about the practical obstacles to getting a job, most importantly the necessity for a work permit and the law requiring that jobs be awarded to New Zealanders unless none can be found to fill them. In the second, I talk about the security measures and logistics that prevent “spies” from getting close enough to catch more than a distant glimpse of filming on location.

I’d urge anyone who’s thinking about quitting a job or school or whatever to go to New Zealand with such goals to read those posts. Do more investigation before you make any decisions or set your hopes too high on this. Check on New Zealand’s immigration and labor laws. Look at other fan sites for further discussion of the obstacles. Keep in mind there are probably tens of thousands of people with the same dream and the same hope that they will be the one who somehow defies the enormous odds and becomes the exception. It’s not that I enjoy throwing cold water on people’s daydreams. But highly unrealistic goals can lead to heartache if pushed too hard, and a little cold water early on might help prevent that.

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

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    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”