The Frodo Franchise by Kristin Thompson
 
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August 23 : 2009

Moving beyond the rumor stage?

By now you probably have heard that Ian McKellen made a surprise visit to the British Film Institute’s marathon trilogy screening and confirmed that he’ll be back in New Zealand for filming starting in March. He expects to receive a script soon and says he knows who has been cast as Bilbo. (He says “Frodo” by mistake, but it’s clear what he means.) Fan Karl Falconer got a huge scoop by filming Ian with his cell phone. The result, posted on Facebook, shows Ian from a great distance, but the spectator can hear his dulcet tones dispensing information.

(I’m not sure whether you have to be a member of Facebook to get through to the clip, which is a little under 3 minutes long. After clicking on the link at TORN, I was asked to login.)

This is all pretty much what we’ve known and/or suspected was happening. Principal photography has long since been announced as beginning in March. Few things were as certain as that Ian and Andy Serkis would be returning. Peter announced at Comic-Con that in three weeks the script for the first part of The Hobbit would be sent to New Line/Warner Bros. for approval. Now, about four weeks later, it sounds as though the writers met their deadline.

In short, movement toward making The Hobbit a reality is happening as expected, and it’s great to hear the confirmation of all that from Ian’s own mouth! I suspect that very soon we’ll be getting a lot more real news.

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

    Canadian flagbuy at best price

    UK flagbuy at best price

    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”