The Frodo Franchise by Kristin Thompson
 
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July 29 : 2009

Two fans’ Comic-Con

A friend of mine has written up a nice account of his experiences at Comic-Con. He’s Jonathan Kuntz, who teaches in the University of California at Los Angeles School of Theater, Film and Television. Being a lot closer to San Diego than I am, he makes it to Comic-Con every year.

Jonathan and I go way back, to the point where I’m not even sure how we met (which no doubt says more about my aging mind than about how memorable that occasion was). But we were both part of a group of American film and television scholars who went to Beijing in 1988 to give lectures at a summer school for Chinese film critics. That was then an annual event, though less than a year later the Tiananmen Square massacre occurred, and the next year’s lecture series was canceled.

With Jonathan this year was his daughter Rebecca, a Comic-Con newbie. I definitely remember my first (and so far only) encounter with her. Rebecca was 10 or 11 at the time, making part of a small group having Chinese food in LA. Her eyes came close to popping out of her head upon hearing that I had not only met Peter Jackson but interviewed him for an hour. Clearly born to geekdom. She is already planning to return to Comic-Con next year. Perhaps I’ll get there, too, and Jonathan, Rebecca, and I can grab time for a meal. Chinese food, maybe.

Jonathan’s description of their Comic-Con adventures doesn’t add anything to our knowledge of what Peter Jackson is up to (though they did make it into Hall H to hear PJ’s talk, after a two-hour wait in line). Still, it’s a nice little vicarious look at the con for those of us who weren’t there.

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

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    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”