The Frodo Franchise by Kristin Thompson
 
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June 2 : 2009

another book about the film trilogy

Wandering around the internet today, I discovered that yet another book about the LOTR films is forthcoming. I know nothing about it beyond what little I have been able to find via googling. Based on such slight information, I am not recommending it–just letting you know that it’s on its way and available for pre-ordering.

The title is The Lord of the Films: The Unofficial Guide to Tolkien’s Middle-earth on the Big Screen, and it’s by J. W. Braun. Here’s what Amazon tells us about it:

Product Description

A unique scene-by-scene breakdown of all of the Lord of the Rings movies, this guide provides in-depth analysis of the live-action trilogy and other related films, alongside games, puzzles, and interviews with the filmmakers. Each scene is explored in four different ways: a closer look at the plot and the action, a look behind the scenes, a reveal of mistakes that slipped through, and audience reactions. In addition to covering the stunning Peter Jackson trilogy and the animated versions, details are also revealed about the prequel films currently in production, making this an essential volume for any Lord of the Rings fan.

About the Author

J. W. Braun has been a Lord of the Rings fan since the 1980s and followed every detail of the film adaptations from beginning to end on his website, the first dedicated to the movies. He lives in Burlington, Wisconsin.

I was intrigued by the idea of the first LOTR film-related website. Alas, now the URL for that website takes one directly to the Amazon pre-orders page. My assumption is that the website has been turned into a book and hence is no longer online.

I have to confess to being a bit dubious about a book in which two of the four approaches to the film are lists of mistakes and audience reactions. What could the source of those audience reactions be? Is the “closer look” at the plot anything more than elaborate description? As one who has done a fair amount of “in-depth analysis” of films, I’m also dubious about the idea of such analysis being juxtaposed with games and puzzles.

I did find a contribution by Braun on TheOneRing.net, “The Future of the Nine Walkers.” I couldn’t detect a date on it, but it was written before the release of the first part. Braun mentions asking Ian McKellen a question, so obviously the main casting had taken place. Whether Ian is one of the people interviewed for the website/book isn’t clear. Anyway, the TORN piece is a bit of speculation on how audiences will react to the film’s main characters. I can’t say I learned anything from it or would have even at the time.

I wish I could provide more information about this book, but there’s none to be had, either on Amazon or on the publisher’s website. The publisher is ECW Press, based in Toronto. The book is due out on September 1 of this year. Perhaps between now and then one of these sites will give a more detailed description or even provide a table of contents.

If any of you can provide some information about Braun’s website, I’d be most grateful. Naturally in my book I couldn’t cover all the fan sites or even a large sampling of them. I went instead for fairly in-depth looks at representative sites. But of course the topic still intrigues me.

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

    Canadian flagbuy at best price

    UK flagbuy at best price

    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”