The Frodo Franchise by Kristin Thompson
 
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September 4 : 2008

Guillermo Del Toro writes The Hobbit but plans ahead

According to Variety, Guillermo Del Toro is currently collaborating with Peter Jackson, Fran Walsh, and Philippa Boyens on the script for The Hobbit, partly via video conferencing and partly by traveling to New Zealand every three weeks. While GDT may have committed the next five years of his life to directing The Hobbit and its sequel, he’s also thinking way ahead. He has made a long-term plan with Universal, with which he’s got a three-year first-look signed in June of 2007. GDT is announced to direct four films for Universal: remakes of Frankenstein, Dr. Jekyll and Mr. Hyde, and Slaughterhouse-Five, and Drood, an adaptation of a forthcoming Dan Simmons novel.

The studio is also still interested in GDT’s project to adapt H. P. Lovecraft’s novella, At the Mountains of Madness, for which he had already written a script. Ultimately he’d also like to direct a third Hellboy film: “We laid the groundwork to have a magnificent third act. I’d like to return to an action franchise with 60-year-old actor Ron Perlman, because he’ll be scratching at that age when I get to it.”

The Hellboy project depends on how well Hellboy II: The Golden Army does internationally. After a big opening weekend it didn’t do well in the U.S., but it has been more successful overseas.

The Variety story also suggests that the sudden intrusion of the Hobbit project caused some tensions between GDT and Universal. The studio’s president of production, Donna Langley, said, “We came out the other side of some tough conversations with a stronger bond and sense of long-term commitment.” For a director who specializes in horror and fantasy, the relationship makes sense. Universal’s great strength in the golden age of Hollywood was its series of monster movies: Frankenstein and its sequels, The Invisible Man, The Mummy, The Old Dark House, and others. Frankenstein is one of GDT’s favorite films, and he says, “With that one, they will have to pry it from my cold dead hands to prevent me from directing it.”

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

    Canadian flagbuy at best price

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    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”