The Frodo Franchise by Kristin Thompson
 
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August 14 : 2008

It All Ads Up

In Chapter 4 of The Frodo Franchise, I discuss how studios with big franchises can line up “brand partners” to help bear the ballooning costs of advertising blockbusters. Other companies with brand-name recognition use characters or images from the film in the ads for their own products. They get to associate those products with a popular (with luck!) film, and the producer can get tens of millions of dollars in free ads. The Lord of the Rings had such partners as JVC, Kia, Duracell, and Verizon.

Now Variety has posted an excellent story on the brand partners for the upcoming James Bond film, Quantum of Solace. Author Marc Graser quotes industry estimates that put the amount of free advertising for the previous Bond entry, Casino Royale, at around $100 million. Probably that much will be spent on this new one. Graser also talks about which companies are on board this time and the new Bond-themes products that they plan to release in conjunction with the film. Omega watches, Smirnoff vodka, and Virgin Atlantic are among the associated brands. (The Trilogy had Air New Zealand, the main example I used in my book.)

If you were intrigued by the way these big companies help each other in creating mutual publicity, Graser’s article lays the whole thing out clearly and succinctly. You can be sure that the same sort of thing will happen with The Hobbit and “Film 2.”

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

    Canadian flagbuy at best price

    UK flagbuy at best price

    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”