The Frodo Franchise by Kristin Thompson
 
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February 11 : 2008

The Writers Guild of America strike is ending

In my previous entry on the winding-down of the WGA strike, I said that the members would be expressing their opinions about the tentative contract agreement at meetings on Saturday evening. Those meetings were very upbeat, with the one in Los Angeles featuring standing ovations for WGA leaders. It was clear that most of the membership was in favor of accepting the contract and ending the strike.

This morning the WGA West and WGA East boards met and unanimously voted in favor of a three-year tentative deal with the film industry. The strike will end soon. WGA members have Monday and Tuesday to vote to lift the strike, and on Wednesday they’ll almost certainly be starting back to work. Monday “showrunners” for TV series will be in their offices, preparing for production to resume. (“Showrunners” are pretty much what the term sounds like—the people who run the production of series.) The studios wouldn’t be cranking up the making of TV episodes if they weren’t sure that it’s going to happen.

For a pretty upbeat detailed summary, see this Variety story. (For another that takes a different viewpoint and suggests what both sides lost in the deal, see this one.)

We shouldn’t forget that the Screen Actors Guild contract expires June 30. But the recent, successful Directors Guild of America contract helped provide a model that the WGA used in breaking the deadlock in their strike. Perhaps the SAG can use both these other guilds’ contracts to avoid a strike altogether.

In the meantime, if the deal to sign Guillermo Del Toro as the director for the two Hobbit films was all but certain, as has been reported, we should hear something soon from New Line and MGM about finalizing it.

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    The Frodo Franchise
    by Kristin Thompson

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    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”