The Frodo Franchise by Kristin Thompson
 
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June 23 : 2010

Lionsgate re-enters the MGM negotiations

There have been reports that Spyglass Entertainment and Summit Entertainment were in the lead to take over the running of a restructured MGM. Now Variety is reporting that Lionsgate is another candidate for that role. Since Variety is behind a subscription walls, here’s the story:

Lionsgate has re-entered the mix of possible partners for beleaguered MGM.

Informal merger talks between MGM and Lionsgate — which have been held off and on for years — have taken place recently, according to people with knowledge of the situation.

Both companies had no comment. Lionsgate CEO Jon Feltheimer and Vice Chairman Michael Burns, who would probably run the combined studio, have participated in the discussions but haven’t made a formal proposal.

The interest from Lionsgate comes with MGM seeking to survive, possibly via a partnership, as a way of dealing with its massive $3.7 billion debt. MGM’s believed to have met recently with other candidates who could run the studio and bring in production funds, including Spyglass Entertainment toppers Gary Barber and Roger Birnbaum and Summit Entertainment.

For Lionsgate execs, making an official offer for MGM would require that Carl Icahn support such a deal — even though Icahn’s promised a proxy fight for control of the Lionsgate board. Icahn has recently boosted his stake in Lionsgate to 31.8% via a hostile tender offer.

Earlier this year, Icahn criticized Lionsgate management for making an official bid for MGM, believed to be $1.4 billion. Lionsgate withdrew as a bidder in March when MGM asked for a sweeter offer and Time Warner remains the only official bidder.

Lionsgate also disclosed in a regulatory filing this year that it had held talks with Icahn last year about possibly combining forces for a takeover bid for MGM but those talks went nowhere.

The combination of Lionsgate and MGM would result in a studio with a library of more 7,000 titles. MGM’s assets include the James Bond franchise and half of “The Hobbit” films. Lionsgate, which is nearing $2 billion in annual revenues, would bring in a film production operation that focuses on low- and mid-budget projects such as Tyler Perry and “Saw” films with 13 to 14 titles a year; and a TV producing arm that includes “Mad Men,” “Weeds,” “Nurse Jackie”;

MGM put itself up for sale last November. Its debtholders are expected to need at least several more weeks to sort out MGM’s future, which will probably require the company to reorganize in a pre-packaged bankruptcy.

Lionsgate needed only three business days to persuade its lenders to amend terms of the revolving credit facility after Icahn increased his stake in the company to 31.8% through his tender offer. Icahn’s move had placed Lionsgate in the position of a possible default but the company was able to negotiate terms that carry a “favorable” interest rate of the London Interbank Interest Rate plus 2.5% with other key financial terms and provisions unchanged.

As the story mentions, Time Warner’s bid, apparently in the neighborhood of $1.5 to 1.7  billion, is still in play, in case MGM’s debt-holders decide to sell the studio rather than restructure it.

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    The Frodo Franchise
    by Kristin Thompson

    US flagbuy at best price

    Canadian flagbuy at best price

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    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”