The Frodo Franchise by Kristin Thompson
 

Archive for February, 2009

February 3 : 2009

New interview with Viggo

Thanks to Paulo Pereira for alerting me to an interview with Viggo Mortensen conducted by Total Film Magazine. There’s an excerpt posted on its website. The announcement just says the full interview is in the “new issue,” which I suppose is either the February or March one.

The excerpt is entirely about The Hobbit and LOTR films. He expresses his willingness to play Aragorn in The Hobbit, if the character does figure in the script. It’s not unthinkable, since Aragorn is living at Rivendell at the time the events of The Hobbit occur. Of course, when Tolkien wrote the novel, Aragorn hadn’t been invented yet, so there’s no mention of him. According to Appendix B of LOTR, Aragorn would have been ten years old when Gandalf, Bilbo, and the dwarves dropped by for a two week visit. Of course, that counts the 17 years between Bilbo’s farewell birthday and Frodo’s departure from Hobbiton. The film version of LOTR doesn’t have that 17-year gap. It’s not clear how long it takes for Gandalf to get to Minas Tirith, read the scroll, and get back to tell Frodo about the Ring. At any rate, assuming it’s less than a year, by the film’s chronology, Aragorn would be about 27 at the time when The Hobbit’s action takes place. Of course, that also assumes that Bilbo will be protrayed as 50 years old in the film, as he is in the book.

So, a young Aragorn could make at least a brief appearance. And with the new de-aging make-up and digital techniques that were used so effectively for The Curious Case of Benjamin Button, Viggo could be made to plausibly look 27.

Viggo doesn’t sound entirely enthusiastic about the idea, though: “I’m interested in principle, but I’d want to see it done in the right spirit of Tolkien.” Comparing the Hobbit project with LOTR, he adds, “I don’t know if it’ll be as big a circus in terms of several people writing changes at the last minute.”

Viggo also expresses his opinion about changes between The Fellowship of the Ring, which he sees as the most character-oriented of the trilogy’s three parts, and the other two, which he sees as more dominated by special effects. “You can’t argue with the films’ success, but had it been me, I would have focused less on the effects and more on the characterisations.”

He definitely approves of Guillermo as the choice to direct The Hobbit instead of Peter: “He’s strongminded, intelligent and probably just as stubborn.” Judging from GDT’s remarks in the interview I linked to the other day, Viggo may well be right!

February 1 : 2009

Catching up with GDT’s interview for the BAFTA

An ad on the back of a recent print issue of Variety alerted me to a series of video interviews on the website of the British Academy of Film and Television Arts. One of these is with Guillermo Del Toro. I can’t find a link to it on the obvious sites, though I’ve got to believe some exist. Anyway, it’s new to me, and it’s an excellent interview.

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    The Frodo Franchise
    by Kristin Thompson

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    Berkeley: University of California Press, 2007.
    hardcover 978-0-520-24774-1
    421 pages, 6 x 9 inches, 12 color illustrations; 36 b/w illustrations; 1 map; 1 table

    “Once in a lifetime.”
    The phrase comes up over and over from the people who worked on Peter Jackson’s The Lord of the Rings. The film’s 17 Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of “infotainment” and the Internet—to satisfy the trilogy’s fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight.

    Kristin Thompson interviewed 76 people to examine the movie’s scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson’s Rings as one the most important films ever made.

    The Frodo Franchise

    cover of Penguin Books’ (NZ) edition of The Frodo Franchise, published September 2007. The tiny subtitle reads: “How ‘The Lord of the Rings’ became a Hollywood blockbuster and put New Zealand on the map.”